Most people are hard at work trying to earn a living. Katie is dying of ovarian cancer. She has three months left.
But there may be many vague relationships between this event and that event, between causes and effects.
I begin to write InI began to focus on interviewing my mother. Every few weeks she lived in a different cityI would visit with her and get in a half hour interview. Since my mother was not primarily interested in preserving her life story it was my interestshe was not committed to a beginning-to-end interview process.
What I ended up doing was simply asking her questions—often in a conversation. Once back home, I would write down her answers to my questions.
My mother did not always sense that I was interviewing her for her memoir. Who will want to read it? In short, it fit around my income production. This process is not unlike how most people will write either their own memoir or the memoir of a loved one. The memoir continues to grow Over the next four years, I interviewed my mother and wrote text.
When my mother gave up her apartment and moved into an assisted-living facility, I knew the leisurely pace at which I had been writing had to change. I applied myself to completing the memoir and set a time for finishing.
I had wanted to get to a later point in her life as the ending. She had less of a grasp on specific details, on dates, on who was there and who did what when.
I opted for a different end point than I had anticipated, one that was closer to the time of the text that I had already written. This proved to be a good closing point even if it was disappointing to three of my siblings whose birth did not make it into the memoir.
I mentioned them in an afterword. I got acceptance of her life, a sense of who she was, and that who she was was just fine. Her past had been vague; the setting of her life not at all clear; the sequencing of events haphazard at best.
She conducted herself well in those circumstances. It consisted of making a home, going to work, raising children and so forth. It was day-after-day work. Finally, the hard copy was finished and I showed it to my mother. Large parts of the page book have to do with her time, with cultural or historical events.
For instance, there was a flood in her city in Briefly I wrote about that flood.
There were developments in the political life of her city that affected her. I also dealt with these on occasion. There were historical contexts that made for why she lived where she lived. Many details having to do with our ethnicity, details that distinguished her adaptation to American life from that of members of other groups, found their way into the book.
Because of this bigger picture, the book proved to be of interest to more people than my mother anticipated.
We Were Not Spoiled: How did you know her so well?
Go ahead and commit to writing. The benefits are well worth the effort that you will have to expend.William Zinsser, a longtime Scholar contributor and dear friend of the magazine, died earlier today.
He was Zinsser was an extraordinary writer and teacher, whose popular blog on our website, “Zinsser on Friday,” won a National Magazine Award in When it comes to writing a memoir, there are 4 things you need to focus on.
If you do, your powerful story will have the best chance of impacting others. When it comes to writing a memoir, there are 4 things you need to focus on.
If you do, your powerful story will have the best chance of impacting others. Let It Bleed: How to Write a Rockin' Memoir [Pamela Des Barres] on timberdesignmag.com *FREE* shipping on qualifying offers.
Author of the international bestseller I'm with the Band: Confessions of a Groupie, Pamela Des Barres shares with women the art of memoir writing. For the last fourteen years. Whether you curl up with memoirs on a frequent basis or pick one up every now and again, you know powerful memoirs have the capacity to take you, as a reader, for an exhilarating ride..
I’m a connoisseur of memoirs.
In the past seven years, I might have read three books that weren’t part of the memoir genre. A first-person narrative is a mode of storytelling in which a narrator relays events from their own point of view using the first person i.e.
"I" or "we", etc. It may be narrated by a first person protagonist (or other focal character), first person re-teller, first person witness, or first person peripheral (also called a peripheral narrator).
A classic example of a first person protagonist.